New 12″ Uncanny Valley 002

7 11 2010

out in December via Clone Distribution!

Uncanny Valley 002: A2 – Cuthead – The Sinner (128 kbps Preview) by Uncanny Valley Dresden

stay tuned!

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14.8.2010 The Uncanny Beat Konductas

11 08 2010
THE UNCANNY BEAT KONDUCTAS

@ Alte Chemiefabrik

Cuthead (Uncanny Valley, Kunst:Stoff Breakz)
Kinematics (Kunst:Stoff Breakz)
Sandrow Mitzschke (Uncanny Valley, Etui Records)
Albrecht Wassersleben (Uncanny Valley)
Syzed (Uncanny Valley)




Uncanny Valley/ Neues Label und erstes Release

18 07 2010

Mit Uncanny Valley gibt es in Dresden ein neues, ambitioniertes Labelprojekt, das House zwar als Basis begreift, seine Fühler aber auch in Richtung Techno, Disco und Dubstep ausstreckt. Mehr noch, das Label dient als Kommunikationsplattform, die sowohl die jungen Talente als auch die alten Hasen in der Elbestadt zum gegenseitigen Ideenaustausch nutzen.

Kennen und schätzen gelernt hat man sich bei gemeinsam verbrachten Nächten in lokalen Clubs wie dem Alten Wettbüro oder der Galerie Disko und beim Musik hören im bestsortiertesten Plattenladen der Stadt, dem Fat Fenders. Dort reifte auch der Plan, das zweifellos vorhandene Potential in Dresden unter dem Uncanny Valley-Banner zu bündeln.

http://uncannyvalley.de/

UV 001

Vinyl & Digital
Release date: September 2010
Distributed worldwide by Clone Distribution

English version below

Platte Nummer Eins ist eine reine House-Angelegenheit. Thomas Fröhlichs’ „Get US“ eröffnet geheimnisvoll und packend mit wunderschön-gezupften Streichern für Tänzeleien unter freiem Himmel. Danach bittet Jacob Korn ins Spielzimmer. Sein „Slamduck“ ist das Überraschungsei auf der Platte und mit seinen verwegenen Klangspielereien über einem strammen Beat genauso verspielt wie mitreißend.
Die B-Seite eröffnet Breakz-Schelm Cuthead mit der für ihn ungewohnt verträumten Deephouse-Studie „Unacceptable Mustache Styles“, bevor Break SL in seinen unnachahmlichen Jam-Modus übergeht und die Platte in gedämpftem Licht nach Hause fährt.

The first release is a true house-affair. Thomas Fröhlich’s ‘Get US’ is a mysterious and breathtaking opener with beautifully plucked strings making for a perfect soundtrack to your summer. After that Jacob Korn invites us to his playroom with the surprise track on this record that combines intricate soundscapes built on an uplifting groove.
On the B-Side breaks-prankster Cuthead unleashes an unusual deep house study entitled ‘Unacceptable Moustache Styles’ before the record concludes gracefully with Break SL’s late night jam ‘Low Light’.

Some feedback:

Martyn: what a great EP :) really like the Jacob Korn track and the Thomas Frohlich one.. but the b-side is great too!! .. lemme know when these hit the shops cos would love to pick up a vinyl copy of it..





New Cuthead Album “City Slicker” [Free Download]

9 06 2010

.

New Album „City Slicker“ by Cuthead

23 Tracks – Hip Hop/ House/ Beats

Click here for FREE DOWNLOAD

Tracklist:

1 Cuthead Intro
2 Cuthead Painquilizer
3 Cuthead 3 Chinesen Mitm Kontrabass
4 Cuthead Rock My Soul
5 Cuthead City Slicker
6 Cuthead The Poncho
7 Cuthead Lost Weekend
8 Cuthead Vibra Skit
9 Cuthead No Logic
10 Cuthead Karma Vision
11 Cuthead Low Water
12 Cuthead All Night long
13 Cuthead feat. Fatima Control
14 Isley Brothers Cantagious (Cuthead RMX)
15 Cuthead Bleach DUB
16 Cuthead Kingston Loudness War Champion 2009
17 Cuthead Iron Lung
18 Cuthead Skit
19 Cuthead Down To Molecules
20 Michael Jackson Can´t Help It (wonky Jackson RMX)
21 Cuthead Walk Of A Dead Men
22 Cuthead Dallisan
23 Cuthead Schwerenoeter

.





New Siggy Blooms Album – Goldkiss

8 06 2010

Siggy Blooms – Goldkiss (2010)  [KSB005]

brandnew 16 Track Album

Electronic/Techno/Ambient

** click to download **





27.2.2010 Kunst:stoff Breakz @ Chemiefabrik

15 02 2010

27.2.2010 Chemiefabrik Dresden

Live JEREMY ELLIS (Detroit)

Kunst:StoffBreakz DJ TEAM

Jeremy Ellis:

BIO

The man, himself, operates as an electro-machine. Composing singles at the request of labels worldwide while shocking audiences with his maddening skills, Jeremy Ellis surprisingly raises the bar with every gig. Musicians and producers stand with awe-dropped jaws while witnessing the joyful fury that is Jeremy Ellis‘ performance style. Ellis‘ fans often resemble that of student as his wildly intelligent, yet imposingly danceable tracks perplex the most eager and adept melodic minds. Combining a lifetime of classical training with a meticulous obsession with sound, Ellis demonstrates himself as one of the forerunners of a new era in electronic music pushing the industry’s new toys beyond their creators‘ intentions.
As Detroit’s most percussive keyboard player and sickeningly fluid, on-the-spot composer, Ellis commands the respect of naïve listeners and industry gear-smiths alike. Truly, no one has spoken through music alone so eloquently since Mozart or Miles Davis. Alone, this is an amazing talent, but combine that detail with the reality that Ellis spontaneously produces new tracks while stupefied club-goers gaze on. Identifying primarily as a keyboard player, Ellis assumed the identity of Ayro to demonstrate his storytelling and vocal confidence with the release of his solo LP and esteemed songbook, ElectronicLoveFunk, he quickly became the voice of Detroit’s new sound. With poetic lyrical flow in his in words and melody, Ellis combined the vintage sounds of instruments like the Rhodes piano with raw sounds of the street through the earthly growl of the 808. Today, his use of the MPC continues to develop beyond our imagination into a uniquely futuristic and fondly nostalgiac style.
From the live show aspect, Ellis intrinsic use of the MPC has grown into a wild toad’s ride that hasn’t been seen since Hendrix non-chalant shredding of guitar licks with his teeth. Ellis proved his producing abilities on his eloquently composed Ubiquity release, The Lotus Blooms. Now, exceeding the expectations of his peers, Jeremy Ellis‘ now marks himself not only as a leader in composition, a wonder on the stage, and an inspiring player, but he develops himself as a mad scientist of sounds or another, better word – would like to say Willy Wonka of sounds. With the use of the Akai MPC and a sponsorship in Propellerhead’s Reason, Ellis furthers his profound phonic wisdom through his astute skill in sampling, tweeking, and artistically sculpting sound.

Web:

myspace.com/jeremyellismusic





Kunst:stoff Weihnachtsmixe Online

25 12 2009

Liveset Mpc 1000 Roland Jp8080

Urbanks – Weihnachts Dubstep Mix 2009

Cuthead – Weihnachts Mix

El.Elktrohan – Weihnachts Jazz Lesson

Einfach den Link auswählen und auf Play. Schon gehts los mit der Mugge.